The rich and colorful history of Pantone dates back to 1963, when the young Lawrence Herbert created the Pantone Matching System(PMS) after buying out a small commercial printing company in New Jersey, USA. By assigning a number to each color, anyone could achieve accurate and consistently repeatable color results, and this system catapulted Pantone into becoming the standard language for color communication for color-critical industries. While its roots are in the graphic arts community, Pantone expanded its system concept across a variety of industries and proved that ‘color’ can indeed become a brand.

Welcome to the 46th edition of Magazine B.

After being acquired by Lawrence Herbert, a former printing company employee, Pantone developed into the leading color expert it is today. In 1963, the company developed the Pantone Matching System, a sort of “color standard” that assigns a serial number to every conceivable shade within each family of colors. For example, the designers might fail to use a certain gray that they wanted, due to the monitor or printing conditions,— but if they all use the same serial number associated with a specific Pantone color chip, they can all achieve the same gray. Recognizing the need for perfect color agreement—for the ability to render a color in such a way that it is not influenced or altered by the surrounding environment—industry experts have likened Pantone’s system to a universal language. Quite frankly, Pantone’s current products do not appeal to the average consumer. That’s because they are designed for professional use; it is rare to meet someone outside the graphic design field who is familiar with Pantone. Unsatisfied with the status quo, however, the people at Pantone are seeking to collaborate with other brands to develop products for everyday use.

When a product is not an everyday consumergood, people are unaccustomed to viewing it from a “brand” perspective. However, in diverse sectors within the business world, strategies with potential often reveal themselves. This is how the so-called “branding perspective” begins.

Colors have played various roles throughout human history. They were used in ancient times for purposes of categorization and classification, and modern humans have also used them as a means of self-expression. Fashion designers have become synonymous with their favorite colors, while film directors employ certain colors to impart their own aesthetic sense to the films they create. So what about the world of corporate branding?

In the face of fierce competition, where those who survive are those who set themselves apart, companies are starting to pay closer attention to color. It is becoming increasingly common for companies to consider color as early as the initial brand-planning stage and strategically apply it throughout all subsequent stages of branding as an integral part of their business models. Expressing a brand identity through color is a way to surpass language barriers along the journey to becoming a global enterprise.

Ultimately, all humans strive to distinguish themselves. When asked about the advantages of color compared with writing and other tools of self-expression, one interviewee noted that color was timeless—it is not restricted to a particular time period, style or artistic zeitgeist, and it conveys messages in an emotional and personal manner. Furthermore, the subjective nature of interpretation means that color takes on new meaning for each individual, making color an ideal medium for increasing brand awareness. This issue features a variety of colors portrayed against a number of temporal and spatial backgrounds. As everything in nature has an origin, we hope this issue inspires readers to reflect on the origin of every color.

Taehyuk Choi, Editor in Chief

Intro


Editor’s Letter


Comments

Instagram posts and comments from Pantone users


Morning

Morning scenes from four cities show metropolitan color


Opinion

Youngsik Oh, CEO and founder of Total Impact


Line-up

A lineup of Pantone’s chief products


Life in Color

Looking at Pantone through the lens of daily life


Afternoon

Afternoon landscapes from four cities


User’s Choice

Pantone’s meaning and applicability in the field


Opinion

Aurelien Arbet and Jeremie Egry, Cofounders and art directors of Etudes


Color Branding

Brands that have used color as a marketing weapon


Night

Nightscapes and skylines from four cities


Opinion

Kenji Osanai, CEO of Osanai Design Studio


Icon

Colors that dominated their eras


Essay

Using color to enhance brand value


B’s Cut

Pantone’s color recreations


Brand Story

The behind story and branding strategy behind a company that’s become the color standard


Space

Spaces the embody Pantone’s philosophy


Products

The sensible lifestyle products of Pantone Universe™


Figures

The numbers that demonstrate Pantone’s brand scale and product lines


Midnight

Four cities at midnight


PUBLICATION RIGHT

Publisher
Suyong Joh

Editor In Chief
Taehyuk Choi

Senior Editor
Eunsung Park

Editors
Jaewoo Seo, Yeongmin Kim

Proofreading
Sarah Kessler Jang

Designer
Ayoon Jung

Filmmaker
Sukwang Baak

Distribution
Tony Song

Correspondents
Mihye Nam (Tokyo), Nari Park (London), Jungho Lee (New York), Jeewon Lim (Milan), Hyeseon Jeong (Paris)

Publishing
JOH & Company

Printed in the Republic of Korea

ISBN
978-89-98415-95-2 03050

REFERENCES

Pantone: The Twentieth Century in Color
Pantone on Fashion
좋아 보이는 것들의 비밀 - 컬러
128 Colors
Mod to Memphis: Design in Colour 1960s - 80s
Interaction of Color: 50th Anniversary Edition
Colors: What They Mean and How to Make Them
Secret Language of Color
The Brilliant History of Color in Art
Theory of Colours